Eat This Newsletter 039

12 September 2016

Authentic food news

  1. A fuss over pho. “People were offended, and not all of them were angry Asians. Not all of them were Vietnamese. Rather, they were people wanting greater depth and nuance. … There are plenty of Vietnamese-American chefs and restaurateurs who can give insights on pho, in fluent English to boot! Bon Appetit should have reached out to them as well as Akin to compare and contrast.”
  2. Spices, culture and the value of cuisine. Seeking to explain America’s view of “non-European” food in a history of European food itself, and how it weaned itself off the extravagant use of spices and strong flavours. “[C]herry-picking a few flavors is more cultural appropriation than cultural acceptance. The base on which almost all of the food is built is still European, finished with a touch of exoticism, the frisson of something new. The valuation of non-European food remains low: Americans will pay $25 for a dish of Italian pasta, but not for a bowl of Japanese ramen.”
  3. As for the Europeans, what did they make of tomatoes? “For Europeans, the key to loving tomatoes seems to have been adapting them into familiar dishes, until they were so intimately incorporated with European cuisine that they were no longer associated with the place where they came from.” Er, that argument sounds extremely familiar. Why is nobody from Central America yelling?
  4. Long before it has opened, a new open-fired restaurant is generating heat. Again, the same stories repeat. “[W]hy is it that these mostly white, ‘pedigreed’ chefs attain such incredible fame and success when equally talented immigrant cooks might labor in obscurity for years? And what does it mean that food pundits are so quick to hail these chefs as authorities on their adopted cuisines?”
  5. They eat horses, don’t they. Not so much about culinary appropriation as about an unwillingness to confront that fact that different cultures do actually have different foodways. “[T]he student who dropped my class over a discussion of horse meat … understood that deeper issues were at stake. She even wrote about them in her email telling me that she was leaving. But she should have stayed in the class so that others could continue the discussion.”
  6. Extra Matter: an interview with Sandor Katz, Mr Fermentation. “The fear that bacteria are bad for us is a gross oversimplification.” ’Deed it is. Now, let’s talk about the appropriation of kimchi.

When is a zucchini not a zucchini? A guide to the history of the world's most popular summer squash

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Cantoni coverPeople accused me of being a tease when I originally published that banner photograph up there and said that it was not a zucchini. It was, I admit, a deliberate provocation. It all depends on whether we’re speaking English or Italian. Because in English it isn’t, strictly speaking, a zucchini. It is a cocozelle, a type of summer squash that differs from a zucchini in a couple of important ways, one being that it hangs onto its flower a lot longer. So a flower on a cocozelle is not the guarantee of freshness that it is on a true zucchini. In Italian, however, it is a zucchini. Or rather, a zucchina. Because in modern Italian, all summer squashes are zucchine.

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Teresa Lust is a linguist and food writer. Harry Paris is a plant breeder who specialises in pumpkins, melons and the like. Together, they have just published a paper that pushes back the known history of the zucchini. They guided me through the somewhat convoluted history of true pumpkins in Italy.

It’s a story of exploration, aristocracy and promiscuity. What more could you want?

Notes

  1. Italian horticultural and culinary records of summer squash (Cucurbita pepo, Cucurbitaceae) and emergence of the zucchini in 19th-century Milan, by Teresa A. Lust and Harry S. Paris, Annals of Botany 118: 53–69, 2016

Eat This Newsletter 038

29 August 2016

Authentic food news

  1. Huge admiration to Becky Lawton at the British Library, for using the Great British Bake Off to share some delightful medieval observations on bakers and baking.
  2. A long and thoughtful piece at Civil Eats, on whether selling necessarily means selling out. Can the qualities that drive small-scale suppliers survive a takeover?
  3. The same question applies to iceberg lettuce, whether you love it, loathe it or can take it or leave it. I wonder, would the opprobrium heaped on iceberg’s crunchy head be applied if it were grown closer to home?
  4. The Movement to Define Native American Cuisine. Just the one? This isn’t going to end well.
  5. I’m resurrecting this one – Chemistry of Cast Iron Seasoning: A Science-Based How-To – because it remains important and useful, especially because I seem to be increasingly aware of cast iron around the internet.

Small-scale spirits Microshiners are big in craft distilling

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I confess, I had no idea there was even such a thing as a craft distillery. Craft breweries certainly, and thankfully, because most mass-produced beer is just not all that good, at least to me. But I’ve never had a problem with mass-produced spirits, probably because I don’t drink them that much. Experts will tell you, however, that they suffer all the same drawbacks as beer: boring, standardised, uninteresting and the same wherever you go. And once I’d started to investigate – and taste – I was forced to agree. Craft spirits are really interesting, and in this episode I’ve taken only the smallest sip.

Perhaps the most astonishing thing about craft distilleries is how fast they’re spreading, at least where they’re allowed. British Columbia has gone from 5 to 50 in about three years. The USA now has more than 1000 registered small distilleries, almost a third of which are so-called “seed to sip” farm distillery operations. The British Isles too have seen a mushrooming of small distilleries. This episode is just a taste of things to come.

Notes

So many people to thank:

  1. Cobey Williamson and Microshiner.
  2. Bill Owens of the American Distilling Institute.
  3. Jim Walter at Whiskey Acres.
  4. Tom Hills at East London Liquor Company.
  5. Kate at Off the Eaten Track in Vancouver.
  6. Gordon Glanz, founder and head distiller at Odd Society Spirits. I wonder if he’d be allowed to make Gordon’s gin?
  7. Also, though they didn’t appear directly in this episode, [1] Craig Harris at Yaletown Distilling Company, Don O’Driscoll at The Liberty Distillery and Mark Reynier of Waterford Distillery in Ireland.
  8. Banner photograph thanks to The Liberty Distillery, other images by me, music stolen from George Jones and Mark Knopffler.

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  1. Which is by way of a hint that there’s bound to be a follow-up; there’s so much more to say.  ↩