You are what you drink Or maybe you drink what you are

Bottles of port laid down to demonstrate your taste and probity

Hands clink beer glasses together

Taste has never really been purely subjective, good taste has always come with the baggage of social status and moral superiority. Perhaps nowhere is this more apparent than in politics, where the extended meanings of taste — refinement, discernment, judgement — brought with them an assumption that these were also the qualities associated with the ability to govern well. If you could choose a superior wine, of course you could choose a superior policy for the nation.

Chad Ludington, Professor of History at North Carolina State University, has studied the politics of wine in Britain extensively. He told me how changes in the production of wine, against the background of changes in political relationships between England and France and in the social structure of England, combined to make one’s choice of wine an important statement about one’s self-image.

In America, beer plays the part of wine in Britain, but the story is practically identical.

President Barack Obama, Professor Henry Louis Gates Jr. and Sergeant James Crowley meet in the Rose Garden of the White House, July 30, 2009. Official White House Photo by Pete Souza

Notes

  1. Would you like a transcript?
  2. Professor Ludington’s book is The Politics of Wine in Britain: A New Cultural History.
  3. A few years ago we talked about How the Irish created the great wines of Bordeaux (and elsewhere).
  4. Food Fights, the book that prompted this episode, is published by University of North Carolina Press.
  5. Ale to the Chief (which is pretty clever) provides the background to Barack’s brews.
  6. Official White House photo by Pete Souza. Bottles of port by F. Tronchin on Flickr. Portrait of Robert Walpole, 1st Earl of Orford, by Jean-Baptiste van Loo.

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Eat This Newsletter 123 Meat matters

Disputations about taste What is good taste? What tastes good?

Harvard crew of circa 1910

Cover artwork a cilantro seedling

Taste is a very curious thing. We understand that how we taste something is almost entirely subjective, that while it depends to some extent on the physical and chemical properties of the things we’re tasting, the sensation is overlaid with all sorts of cultural and personal memories. Unless you have access to all of those, there’s nothing you can say about my taste. Except, we do that all the time. We slip easily from taste being indisputable to good taste and bad taste and from there to making taste the basis of moral judgements. What’s more, this is nothing new.

These thoughts, and many more, were prompted by a new book: Food Fights: How History Matters to Contemporary Food Debates. It contains two chapters that cover taste directly (and a third that considers food choice from a slightly different point of view). In an effort to straighten myself out on the subject, I talked to the two chapter authors, and they’re going to be the guests in at least the next two episodes.

In the first instance, Margot Finn talked to me about the nature of taste and about how efforts to change people’s taste in food have often stemmed from a desire to change their behaviour.

Notes

  1. S. Margot Finn wrote Discriminating Taste: How Class Anxiety Created the American Food Revolution. She is “inconsistently” on Twitter.
  2. Food Fights is published by University of North Carolina Press. Here’s one place to source a copy.
  3. There is a transcript.
  4. Harvard crew circa 1910 from the Library of Congress. Cover photo of cilantro by José Camba on Flickr

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The Man Who Tried to Feed the World A new documentary about Norman Borlaug

Norman Borlaug, left, in an experimental wheat field in northern Mexico

Norman Borlaug with semi-dwarf wheatNorman Borlaug won the Nobel Peace Prize in 1970 for his work as a wheat breeder. The disease-resistant, dwarf wheats that he developed were the foundation of the Green Revolution, banishing global famine and turning India into a food-exporting nation. Many people have hailed Borlaug as a saint, a saviour of humanity. Others have blamed him for everything that is wrong with the modern global food system. The truth, naturally, lies somewhere in between, which is brought out in a new documentary about Borlaug and his work.

The documentary airs on PBS in the United States next week. I got the chance to see a preview and to talk to Rob Rapley, the writer, director and producer.

As our conversation makes clear, I hope, Borlaug never really imagined he was improving the lot of small subsistence farmers. If he wanted to do that, he would not have been working on wheat. But he was very clear that all he had done was to buy us time. This is what he said in his Nobel Lecture in December 1970:

The green revolution has won a temporary success in man’s war against hunger and deprivation; it has given man a breathing space. If fully implemented, the revolution can provide sufficient food for sustenance during the next three decades. But the frightening power of human reproduction must also be curbed; otherwise the success of the green revolution will be ephemeral only.

He also said “I believe it is far better for mankind to be struggling with new problems caused by abundance rather than with the old problem of famine”.

My fear is that we have done neither. We have not used the time bought us by Borlaug and the Green Revolution wisely, nor have we any idea what to do with the abundance.

Notes

  1. Rob Rapley’s documentary The Man Who Tried to Feed the World airs on 21 April in the American Experience strand on PBS; Here’s the link for the episode.
  2. The book Rob Rapley mentions right at the start is Charles Mann’s The Wizard and the Prophet, about Norman Borlaug and William Vogt. Mann appears in the film too.
  3. I cannot pass up the opportunity to promote an episode I made back in 2016. The True Father of the First Green Revolution is about Nazareno Strampelli, an Italian plant breeder whose work foreshadowed Borlaug’s by 40 years.
  4. Small b&w photo of Borlaug with semi-dwarf wheats courtesy of National Portrait Gallery, Smithsonian Institution. Photo by Arthur Rickerby
  5. And, we have a transcript. Sorry for the delay.
  6. Cover (and main) photo shows Norman Borlaug behind the wheel of a combine harvester with the Mexican field technicians who contributed to seed production in the winter at Ciudad Obregón, Sonora, northern Mexico, c. 1952. Photo credit: CIMMYT.
  7. Banner photo shows Borlaug in the field at what is now CIMMYT’s CENEB station (Campo Experimental Norman E. Borlaug, or The Norman E. Borlaug Experiment Station), near Ciudad Obregón, Sonora, northern Mexico, in 1961. Note that the wheat is shoulder high, not a semi-dwarf variety (unless they are on their knees, which I doubt). Photo credit: CIMMYT

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