Industrial strength craft beer

michele-sensidoni Italy, land of fabled wines, has seen an astonishing craft beer renaissance. Or perhaps naissance would be more accurate, as Italy has never had that great a reputation for beers. Starting in the early 1990s, with Teo Musso at Le Baladin, there are now more than 500 craft breweries in operation up and down the peninsula. Specialist beer shops are popping up like mushrooms all over Rome, and probably elsewhere, and even our local supermarket carries quite a range of unusual beers. Among them four absolutely scrummy offerings from Mastri Birai Umbri – Master Brewers of Umbria. And then it turns out that my friend Dan Etherington, who blogs (mostly) at Bread, cakes and ale, knows the Head Brewer, Michele Sensidoni. A couple of emails later and there we were, ready for Michele to give us a guided tour of the brewery.

Mastri Birai Umbri is owned by the Farchioni family, which has become a powerhouse in basic agricultural products since the late 18th century. Farchioni olive oil is ubiquitous, and their flour only slightly less so, and while the quality of these products is high, they’re not the sorts of commodities I associate with a craft brewery. But I am starting to rethink the casual opposition between “industrial” and “craft” or “artisanal”. It’s true that industrial food processes are often soulless, repetitive and designed to serve only the bottom line, degrading the notion of quality about as far as it will go before people revolt. But my conversation with Michele showed me that it is possible to take an industrial approach to the production of a high-quality product. He insists on repeatability – that the brew should taste the same each batch and present the drinker with the same experience each time. That is probably the major distinction from a more artisanal or craft approach that instead of stomping out all the differences uses a different kind of skill to allow the product to vary slightly from batch to batch. The quality of Michele’s beer, however, is unimpeachable.

The other big distinction, I suppose, is quantity. When I asked him what the future might hold for craft beers in Italy, Michele thought it unlikely that 500 breweries could survive, because many are too small to compete. But why should that matter? If you’re big enough to survive at some scale, perhaps only in a local market, do you have to keep growing. This is one of those eternal business mysteries that I’ve seldom heard explained to my satisfaction. Why is perpetual growth necessary? Of course, demand may increase. But if you’re making as much as you want to and need to, and don’t want to regulate demand by increasing the price, that’s an opportunity for someone else to enter the market. You don’t have to do it yourself.

All of which is probably a bit deep for a consideration of well-made beers. In any case, I think I need to stop using “industrial” as a term of opprobrium and focus instead on the product, rather than the means of production.

Notes

  1. Le Baladin is a somewhat strange enterprise, and I am not as familiar with their beers as I would like to be. Their design sense is definitely quite odd. As Dan says, “It’s kinda scrappy, cartoony, vaguely Keith Haring, vaguely hippy, like someone’s mate did it, someone who’s not a professional designer. But remember kids, don’t judge a beer by its label.”
  2. No link to the Farchioni website, because it autoplays noise, and I hate that.
  3. The whole pure yeast vs wild fermentation debate is fascinating. Here’s a recent account from Australia: Winemakers turn to wild fermentation.
  4. Intro music by Dan-O at DanoSongs.com.

Knives: the new bling

Peter Hertzmann Bling, the Urban Dictionary tells me, is an onomatopoeic representation of light bouncing off a diamond. Or a Bob Kramer original hand-made chef’s knife, which goes for $2000 and up. Of course some people might be able to justify spending that kind of cash on what is, after all, one of the key tools of the trade … if your trade happens to be cooking. But my guest today, Peter Hertzmann, says he sees lots of knives, maybe not quite that expensive, hanging on the wall in people’s kitchens, unused. “Kitchen knives”, he told this year’s Oxford Symposium on Food and Cookery, are “the new bling”.

Peter teaches knife skills, has written extensively on the topic, and one of the things he is adamant about is that you never chop, you slice. Even if you’re pretty handy with a blade, you can probably learn a thing or two from his video Three Aspects of Knife Skills. I know I did.

Notes

  1. You can actually get a set of four Bob Kramer knives, plus a steel to ruin them with, for less than $2000.
  2. Intro music by Dan-O at DanoSongs.com.
  3. Outro music by Martin Simpson. And if I ever knew, I’d forgotten that the song was written by Cat Stevens.

What’s the beef with frozen meat?

cowinsnow

Most dilettante foodies I know probably regard frozen beef as an acceptable substitute only when fresh is unavailable. Sure the fresh must be grass-fed, dry-aged, properly hung and all that – but mostly it must be fresh, not frozen. However, unless your climate is wonderfully mild, that grass-fed beef is going to be eating something else over the winter, and that’s not great for the meat. Ari LeVaux, a syndicated food writer, reckons that except at the end of the growing season, when the animals have just finished feasting on lush pastures, well-frozen good beef is a far better option than fresh. When we spoke last week, I started by asking Ari why most people – foodies included – have such a poor opinion of frozen beef?

In fact, I’d say there is a general misconception about “freshness”. There was a rage for fresh pasta in England a while ago. And to me it was unfathomable. Good dried pasta is so superior to the slimy industrial stuff that it is almost another food. Sure, fresh often is good. But with foods that can be preserved in other ways, and have been, a good product properly prepared is often superior.

As for the nutritional composition of grass-fed versus conventional beef, there clearly is a difference. A mega-review by the Union of Concerned Scientists found that milk and meat from grass-fed animals has lower total fat than conventional, but the fat is higher in what might loosely be termed “good” fats, things like omega–3 fats and conjugated linoleic acid. On the other hand, the evidence for health benefits is more mixed. Some studies on animals and people have shown benefits, but they are by no means absolutely conclusive.

So on its own, better nutrition is perhaps not enough reason to seek out grass-fed beef. On the other hand, if omega–3 fats are what you really want, you can do much better eating oily fish. But hey! It can’t hurt, and eating great beef less often is a win in so many other areas.

Notes

  1. The problem with fresh beef, by Ari LeVaux, prompted this podcast.
  2. The Union of Concerned Scientists’ review is Greener pastures: How grass fed beef and milk contribute to healthy eating by Kate Clancy. More recent research work, for example A review of fatty acid profiles and antioxidant content in grass-fed and grain-fed beef says much the same, adding that because feedlot cattle have more total fat, in the end the difference may not be as great because the conventional-beef consumer eats more total fat.
  3. I drove through the Wind River Reservation, many years ago, and it is the most beautiful place. The rise and fall of the deal between Arapaho Ranch and Whole Foods is an intriguing story that demonstrates beautifully just how complex food systems can be.
  4. Intro music by Dan-O at DanoSongs.com.
  5. Outro music is, obviously, Get along little dogies, by Marty Robbins. But for a real blast from the past, you must see Arlo Guthrie do it for the Muppets.
  6. Photo from Highland Cattle World. Podcast “cover” photo (used so far without permission, but I have asked) by Esther Perez.

Engage

Early agriculture in eastern North America

Poop The Fertile Crescent, the Yangtze basin, Meso America, South America: those are the places that spring to mind as birthplaces of agriculture. Evidence is accumulating, however, to strengthen eastern North America’s case for inclusion. Among the sources of evidence, coprolites, or fossil faeces. Fossil human faeces. And among the people gathering the evidence Kris Gremillion, Professor of Anthropology at Ohio State University. She was kind enough to talk to me on the phone, and I made a silly mistake when I recorded it, so please bear with me on the less than stellar quality. I hope the content will see you through. And I’ll try not to let it happen again.

A few words about the picture; after failing to come up with anything striking, I gave in to the inevitable and searched for coprolites. The guy in the picture is Dennis Jenkins, an archaeologist at the University of Oregon. In his forceps is a piece of dried human faeces dated to 14,300 years ago. The sample is not without interest, but it is also from way across the other side of North America. Still, it is a coprolite (or at the very least palaeofaeces), and it is the best I could find. In looking for it, though, I stumbled across The Cambridgeshire Coprolite Mining Rush. Wikipedia has the bare bones of the story – coprolites rich in phosphorus were discovered outside Felixstowe in 1842 and became the basis of a boom industry to extract the phosphorus as fertilizer. The man credited with discovering the coprolite deposits was John Stevens Henslow, the Cambridge botanist who gave up his place on HMS Beagle to his young friend and protégé, Charles Darwin. The coprolites came a decade or so after the Beagle set sail, and the company that extracted the fertilizer went on to become Fisons, a glorious name in British agrochemicals. Small world, eh?

Funnily enough, another account makes no mention of Henslow, and describes the coprolites as “phosphatised clay nodules”. I’m afraid that’s all the digging I have time for; I gave up just as soon as I struck this somewhat broken motherlode, which tantalisingly says coprolites were “thought by some at the time to be fossilised dinosaur droppings”. Thought to be? No doubt there’s a lot more to know.

Notes

  1. If you know me from the other place, you know that I reviewed Kristen Gremillion’s book Ancestral Appetites there, and that’s what prompted this interview.
  2. You want more coprolite stuff? And not just human? You need The Dung File.
  3. Intro music by Dan-O at DanoSongs.com.
  4. End music by Douglas Blue Feather, who might just possibly be from around the Kentucky area, which is a close enough connection for me.

Sugar and salt: Industrial is best

NPG D12417; 'Barbarities in the West Indies' by James Gillray, published by  Hannah Humphrey

Henry Hobhouse’s book Seeds of Change: Five Plants That Transformed Mankind (now six, with the addition of cacao) contains the remarkable fact that at the height of the slave trade a single teaspoon of sugar cost six minutes of a man’s life to produce. Reason enough to cheer the abolition of slavery, I suppose. But that doesn’t mean that everything is sweetness and light in the business of sugar. Or salt. A photo gallery in The Big Picture made that very clear, and inspired Rachel Laudan, a food historian, to write in praise of industrial salt and sugar.

One critic asked:

OK, I totally get why people should not live in poverty and desperation. But why does that translate into cheers for industrially processed foods? Don’t we actually consume more sugar and salt than we need to? How about something in between? Well made, fairly and sustainably produced. And consumed with reason.

Laudan makes a good case for industrial sugar and salt, although at the end she casually adds “rice, flour, wine, chocolate and many other foods we cherish”. Here, I think, is where we part company, because, unlike the critic quoted above, I want to distinguish foods from ingredients. On flour, for example, too right I don’t want to be grinding my own grain, as Rachel herself has made clear in much of her writing. But I also don’t want to be using only extremely industrial flour, and luckily I can afford to buy flour that is “well made, fairly and sustainably produced”. (“Consumed with[in] reason,” not so much.) At least I have the option. With very few exceptions, I cannot feel the same way about artisanal salt and sugar, although I confess that if I could get it easily, I would buy Maldon Sea Salt, and if I did, I would almost certainly eat more salt than I do at present.

I also feel, although I didn’t want to abuse my position as host and labour the point, that the very cheapness of sugar and salt does contribute to overconsumption. I’m pretty sure that the reason sugars, in all their forms, are cheap has more to do with subsidies and unpaid externalities than anything else, but whether getting rid of those would make a difference to consumption now, I have no idea. I doubt that it would make much difference to how much of either salt or sugar would be available for preserving.

Notes

  1. Cuisine and Empire: Cooking in World History, Rachel Laudan’s eagerly anticipated new book, will be published in September.
  2. Sugar has been the focus for many wonderful books, articles and the rest of it. Reading around for this episode I came across Mike Rendell’s website, which has some interesting historical insights. And ‘The Dunghill of the Universe’ The Sugar Barons: Family, Corruption, Empire and War looks worth a read too.
  3. The Food Programme, on BBC Radio 4, took a new look at Sugar: Pure, White and Deadly? — their question-mark, not mine — at the end of May. And pretty good it was too.
  4. Barbarities in the West Indies by James Gillray, published by Hannah Humphrey, hand-coloured etching, published 23 April 1791, copyright National Portrait Gallery and used with permission.
  5. Podcast cover image of Venezuelan cut sugarcane by Rufino Uribe.
  6. Intro music by Dan-O at DanoSongs.com.